Classes for Adults
Art
Writing
Inkslingers Events
Pottery Classes/Clay Studio
Yoga
Language Classes
Body-Mind-Spirit
Musical Instruction
Songwriting Workshops
Open Studio, Figure Drawing
Help
us plan! Register at least one week prior to class.
Click here for the fine print about cancellations
and refunds.
Make
Your Own Drum at Crossings
Anyone can make a drum!

Instructor Wayne Manthey returns by popular demand
to teach a day-long drum-making workshop at Crossings.
Using a cedar frame and deer hide, you will create your own handmade, single-sided drum. What you will walk away with is more than just a drum. Wayne Manthey will take you on a journey to create a very special instrument using ancient techniques.
Here's what Wayne says: "The healing properties
of a drum are found in the elements that make it: wood and animal hide.
Making personal frame drums is a journey that is individually and spiritually
meaningful. Teaching drum making classes involves storytelling and introspection.
The drum symbolizes the heartbeat of life, the heartbeat of community. It
is not simply an art form, but a tool for cleansing, centering and focusing
one’s intentions for health and happiness."
Tying up the leather and dipping it into black walnut dye is fun...but pulling
it out to see what images are revealed on your drum is incredible. Everyone's
drum is so different!

In his early experiences with drumming, Wayne
was moved by the healing sound drums produce - a deep, rich reverberation
that generated a feeling of physical and emotional well-being. He searched
for a drum that would have this special sound, but when he was unable to
find exactly what he wanted, he decided to make his own. In the process,
he discovered that the act of making the drum was profoundly healing. Since
then he has guided hundreds of others through the process of making their
own personal drums.
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Explore many types
of traditional and contemporary weaving
that can easily be done on small looms!
This
three-session workshop will provide you with rich opportunities for weaving
small projects that can be used as scarves, tote bags, pillows, runners
and wall hangings. You'll have fun exploring and employing various techniques,
resulting in border designs or abstract or pictorial scenes.
Explore many types of traditional and contemporary weaving that can easily
be done on small looms. Try out and compare rigid heddle, Two-harness or
Four-harness looms.
All experience levels.
Plenty of looms for everyone to use or borrow - and even to take home to
work on projects!
Students may bring in their own table loom or rigid heddle loom, or borrow
a loom from us. We'll have yarn for you to choose from, for a small fee,
or you can bring some of your own yarn scraps. 12 x 16" looms will
be available for purchase for $35, should you decide that you want your
own.

Nancy Ellison is the owner of Ellison Sheep Farm in Zumbrota. Her work has received awards at state and national levels. She first studied weaving while at the University of Oslo, Norway. She now conducts lessons, demonstrations and workshops.
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Finding a Way by Dan Wiemer
Beginning to Advanced students will all benefit from and enjoy this workshop. Dan's workshops are progressive, which means you will advance and cover new material in each one. Dan's workshops are fun and fast-paced!
Dan will demonstrate and explain how to “see it, simplify it, and state it”. He'll walk you through his process of creating a blueprint beforehand which will free you up when it's time to apply paint. Students will do several smaller studies before painting a larger piece.
This workshop will cover essential techniques
such as how to become a better shape maker. You'll
learn how to 'build' shapes, strengthening your design skills as well as
painting skills. Good painters are also good designers.
Students will learn concepts that allow them to find strong abstract shapes
in scenes, as well as learn about the different types of contrasts and how
they add drama to a painting.
Hopefully this will be an energizing and different approach to your next
subject. This will be a fun 3-session workshop where you'll be learning
and sharing with other artists. “There is no roadmap to making better
art…hopefully we can get lost, find a new route and enjoy the journey.”
Click here for the
suggested supplies list
Instructor
Dan Wiemer is an award-winning artist and illustrator who
lives in Red Wing MN. He was trained as a graphic designer and has painted
in watermedia most of his life. Dan is a past president of the Minnesota
Watercolor Society and has taught classes and workshops for twenty years.
Dan traveled to China on an artist exchange program where he taught western
watercolor and learned from his eastern counterparts. He couldn’t
speak the language, but he could communicate through his watercolor and
that translated well.
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Hot
Wax >>>>> Cool Art!
Experience the magic of an ancient art form!
Encaustic is composed of beeswax, tree resin, and oil pigment, applied hot
and fused to create a beautiful, translucent and striking surface. It was
used 2500 years ago by the Egyptians to paint the famous mummy portraits
and is being rediscovered by contemporary artists.
Learn the basics of encaustic painting, a unique art using heated, pigmented
beeswax to create distinctive work. Experience making your own encaustic
paint, mixing colors on a hot palette, fusing layers, incising and scraping
and creating texture and transparency. Plus the basics about equipment and
tools, various substrates and safety issues.
For both beginning and experienced artists.
Instructor Margaret Berry
returned to studio work after serving as Executive Director of the Arts
Council and Education Director of the University Place Art Center, both
in Lincoln, Nebraska.
Berry began painting in encaustic in 2003 after many years as a fiber artist.
Encaustic is the oldest and most durable form of painting, used by the Egyptians
to make mummy portraits and the Greeks to adorn and protect their ships.
She combines local beeswax with oil pigments to make a hot paint. Some paintings
also incorporate photos, objects and oil stick. In addition to serving as
an artist-in-residence for the Nebraska Arts Council, she teaches encaustic
workshops throughout the Midwest. Berry is a charter member of International
Encaustic Artists and her work is featured this year in shows in New York,
Maine, Massachusetts, Oregon, Iowa, Colorado and Nebraska.
Visit Margaret Berry's website
to see more of her work and to learn more about encaustic!!

Learn more about hot wax techniques including image transfer, photo manipulation, molds, collage, assemblage, monotypes, and incorporating oil pigment sticks! There will be step-by-step demonstrations plus time to work on several pieces. Previous experience suggested.
'Cone Ecstasy' - a good example
on display at Crossings
by accomplished encaustic painter Mary Solberg
Explore brushing, scraping, layering and pouring wax on a variety of supports.
See how to combine encaustic with other mediums such as photography, printmaking
and collage.
Sensuous textures, lustrous depth, and the
smell and feel of beeswax will convert you to this versatile and fascinating
medium.
If you have a simple black and white or color photocopy of a photograph
that you really want to use in a collage or photo encaustic work, feel free
to bring it. Any size up to 8 1/2 x 11 will do.
Local and country lodging is available for as low as $44/night.
Contact Marie at Crossings for options: 507-732-7616.
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Skill
level: Beginners and up!
Want to play with hammers? This class is for you. Learn to saw, file, stamp, and drill silver-filled sheet metal to make either a cuff style or ID style bracelet.
There will be a huge assortment of stamps, letters, numbers, patterns and even design-it-yourself wire stamps for you to play with. Walk out wearing your own creation!
Instructor
Jennifer Wolcott has been teaching small-scale glass fusing, lampworking,
and silversmithing for over ten years. Prior to that she spent more than
twenty years as an engineer in industry happily figuring out how to make
printed circuits better-faster-smaller-tougher-more and figuring out what
went wrong when they failed.
And the fun does not
stop at 12! Make it a day and learn about Glass Bead Lampworking with Jennifer
in the afternoon. $8 discount if you take both classes!
Skill
level: Beginners and up for ages 16 and above.
What fun! Melt glass rods with a torch and turn the molten glass into beads. In just three hours add polka dots, swirls and stripes in glowing colors.
The skills from this class can mean freedom for the jewelry artist. No more searching for beads in the color and pattern you need. Now you can make them yourself!
It can be an introduction to other hot glass techniques or increase your understanding and appreciation of the beauty and skill of glass work.
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Learn how to weld AND create a variety of different sculptures for your garden!

Class participant Nancy Driscoll
made this elegant and intricate garden sculpture!
Ever wanted to learn how to operate a MIG wire feed welder or a stick welder? You are in luck! Using these, plus oxy-acetylene and grinders, you will learn how to create your own garden decorations. Metal artist extraordinaire Kelly Ludeking will take you step-by-step through the processes.
Everyone, from the complete novice as well as experienced metal workers, will enjoy this opportunity to try their hands at this rewarding craft. Students are encouraged to bring along their own found steel or cast-iron objects that they would like to incorporate into their own unique garden object of art.
This class is made possible by, and will be held 2 blocks away from Crossings at the state of the art welding shop of our generous neighbors, Custom Iron. Custom Iron metal crafters create spiral stairways and unique stair and balcony railings for fine homes throughout the US.
Please bring a sack lunch for this day-long class, and wear all natural fiber clothing, long-sleeves, and pants without cuffs! Safety glasses are required at all times – even under welding helmets. Bring your welding or tough leather gloves if you have them. A Custom Iron representative and the instructor will talk about shop safety and cover the equipment and hand tools provided.
Kelly will also provide a variety of different
size of metal rods, tubes and solid stock. Each student will leave with
a piece of art they created that day and the knowledge of how to use their
new skills again.
Learn
more about Kelly and his creations here!
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Explore 4 Harness looms! Beginning and experienced weavers will enjoy this class.
This three-session workshop will provide you
with opportunities to try various weaves such as twills, rosepath, boundweave,
and Nancy's favorite: Scandinavian Krokbragd. You'll have a variety of mug
rugs to show for all of the fun you'll have in class!
Students may bring in their own 4 Harness Loom, or you may let Nancy know
if you are planning on using looms she brings to class. The looms will be
warped in various weave structures.

Nancy Ellison is the owner of Ellison Sheep Farm in Zumbrota. Her work has received awards at state and national levels. She first studied weaving while at the University of Oslo, Norway. She now conducts lessons, demonstrations and workshops.
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Learn the craft of needle felting! You'll be
all set to embellish a tired sweater or personalize a knit vest, making
it a work of art.
You can bring a sweater of your own, or purchase one from the instructor
for $10-12.
Needle felting is a fairly new craft based on an old industrial technique.
In the class, you will learn about various felting methods, types of feltable
fibers, and where to purchase supplies.
Although needle felting is similar to painting with fiber, you do not need
to be able to draw to make beautiful felted items; after completing this
class, you will be able to embellish your own clothing or household items
and make lovely gifts for others.
Instructor Amy Giannini has needle felted hundreds of items,
incorporating fiber into her jewelry designs as well. You can view her work
at MorningStarArts.etsy.com.
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Skill
level: Beginners and up for ages 16 and above.
Learn the timeless
art of melting glass on metal!
Enamels have long been used to decorate the surface of metal objects, originally
as a substitute for more costly precious or semiprecious stones, but later
as a decorative medium in their own right because of their beauty and durability.
Now you can learn how to make beautiful enameled finishes on copper, brass,
steel or silver. This is a fun introductory class which will give you a
solid foundation of the basic skills needed to start creating your own masterpieces.
Students can expect to make several spectacular pieces that can be incorporated
into jewelry and other decorative art.
The class covers basic small-scale enameling techniques including cleaning
the metal, counter enamel, the use of stencils, underglazes, utilizing colored
enamel pencils and paints, holding compounds, and even how to run the kiln!
Everything you'll need is provided in class.
Instructor
Jennifer Wolcott has been teaching small-scale glass fusing, lampworking,
and silversmithing for over ten years. Prior to that she spent more than
twenty years as an engineer in industry happily figuring out how to make
printed circuits better-faster-smaller-tougher-more and figuring out what
went wrong when they failed.
And the fun does not
stop at 12! Make it a day and expand your enameling skills with Jennifer
in the afternoon. $8 discount if you take both classes!
Skill
level: some experience (kiln class suggested but not required)
This class will be a continuation of the morning enameling course, but rather than melting the glass in a kiln, you'll be using torches instead. The torch oxidizes and blends the pigments, creates patterns and causes chemical reactions that are not achievable with kiln firing!
Your finished works are perfect elements for
jewelry, buttons or pulls.
Students will be able to try out some additional materials like paints and
pencils, frit and stencils and then fire the pieces with a torch. Copper
blanks will supplied, and for a boost of flair, brass and silver blanks
and cloisonné wire will be available for sale.
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Please bring: a sharp scissors, a yard stick, 2-3 bath towels and a permanent marker.

A pair of felted wool slippers is not only the most comfortable pair of
slippers you own, but it is also a great way to add the techniques of using
a resist and shifting shape to your feltmaking know-how.
Anyone can make beautiful felted 3-dimensional
objects - including personalized, unique wearables. In this class you'll
learn how to turn a two-dimensional felted package into a three-dimensional
finished project. We will use wool fiber, a piece of plastic, soap, water
and an upper body workout to create a pair of seamless slippers. No sewing
or assembly is required.

Instructor Jill Lynn has been teaching feltmaking workshops
and classes since early 2008 and really enjoys sharing her process. In fact,
the use of the process and a good deal of play are an important component
to Jill's teaching. When you come to a class with her be prepared to learn
as you go. You can obtain a great deal of control over what is happening
under your hands while make a felted piece, but there are always surprises.
So let's play.
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Crossings will be closed to the
public during this four-day workshop.
Point Zero Painting, with its emphasis on process, not product, is a method
of self-exploration and spiritual discovery, rather than a traditional painting
class. A sense of trust and integration can be gained as unexpected images
emerge.
Imagine giving oneself the time and
space to fully express
without care or concern for opinion, judgment or fear.
Imagine being in a group setting where freedom to explore
to be true to one's inner voice, to learn to trust one's own instincts
is emphasized over getting approval, producing
or performing for some outer source.
Finally, imagine all this happening through the power of creativity,
the simple and pure act
of painting.
Intuition becomes your guide.
As we take risks to express ourselves, no comments, judgments or critiques are allowed. A mutual support is engendered. Group cohesiveness is formed as we enter into the sacredness of the creative moment. We find that we are very similar in unique ways. There is a lot of play around the paint table, and laughter is often heard. A strong bond naturally occurs. We find a communion in the heart of the painters community.
Debbie Purdy, M.A.A.T., L.C.P.C., is an art therapist,
and Licensed Clinical Professional Counselor and teacher of the Point Zero
Painting Process as described in the books by Michele Cassou, Life, Paint
and Passion, and Point Zero. She has a studio in Elmhurst, a suburb of Chicago,
and has taught with Michele Cassou in Chicago, Boulder, New York and Taos.
She herself has been painting in this process for over 10 years.
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Rosemaling Intensive 3-Day Workshop
Thursday through Saturday, April 12 - 14; 9am-4pm
each day
Cost: $165 plus self-supplied materials
Try your
hand at a
beautiful folk art form
with Vesterheim Gold Medal winner
Ken Magnuson

Rosemaling is a form of decorative flower
painting that originated in Norway in the 1700s. These graceful designs
are derived from C and S strokes and are characterized by flowing lines
and scroll, imaginative, fanciful flowers, and subtle colors. Rosemaling
may also incorporate figures, scenes and script lettering.
Several different styles of rosemaling exist, each named for the region
in which it originated. In this class, both Telemark and Hallingdal styles
of painting will be taught.
Students will work at their own level, from beginners on up, and may choose
the style they prefer. Each student will work on their own project at
their own pace. Please bring in any wooden object that's suitable for
painting such as a tray, canister or box; patterns of all sorts will be
available for you to choose from. Beginners can bring an object to paint
but can also spend the workshop practicing painting on paper.
Click
here for a list of supplies you'll need

All students, from absolute beginners to
more advanced Rosemalers, can expect to learn, refine and hone their skills
in this timeless style of painting.
Instructor Ken Magnuson was awarded the Vesterheim Gold
Medal for excellence in rosemaling by the Vesterheim Norwegian-American
Museum in Decorah. To earn this award, artists must complete and earn
8 points at the annual national competition each July. The first Gold
Medal was awarded in 1969. Since that time, less then 50 artists have
received this award.
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Carousel Book Making For
Grades 3 and Above! Adults Welcome.
Saturday, April 21, 10am-Noon
Cost: $22 plus $8 materials fee.
Bring a 2nd family member for just $18 plus $8 materials fee!
Take both morning and afternoon classes for $36!
Make a Carousel Book!
A carousel book can be viewed by turning the pages one by one or by
opening all the pages at once to create a book in the round. When you
open the book all the way up and look at it from the top, it looks like
a carousel or star. Each page spread is a little 3-dimensional theater,
ready for pictures and text. Create a family heirloom!

Instructor Jill Krase has been making books by hand since 2005 and is the owner of Ovenbird Bindery in Winona, Minnesota. She binds editions and makes artist books and blank books. She has taught a number of workshops and classes. Jill studied bookbinding at the University of Iowa Center for the Book.
Sewn Boards Book Workshop For
Grades 9 and Above! Adults Welcome.
Saturday, April 21, 1 - 3:30pm.
Cost: $22 plus $8 materials fee.
Bring a 2nd family member for just $18 plus $8 materials fee!
Take both morning and afternoon classes for $36!

We have all used books since about the time we were old enough to sit up. Even so, how books are made is a bit mysterious. This workshop is your chance to become familiar with the inner workings of books. Unlike most machine-made books today that are held together with only glue, the book we will be making is sewn together with a needle and thread, making it especially durable and functional, as well as beautiful (the sewing remains visible on the spine).
The sewn-boards binding style is one of the oldest bookbinding techniques. Using only a bone folder, scissors, sewing needle, and thread, we can easily create books. The sewing that holds the book together looks like a series of chains running across the spine. A soft but very sturdy cover wraps around to the front of the book and closes with a bone clasp or button to finish off the book.
Students will finish one book during the workshop but
can make additional books at home without expensive tools. Tools and materials
needed for the workshop will be provided.
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Create your own
work of art in just 3 hours!
Learn
to construct a silver bezel setting using flat silver bezel wire to hold
a flat-backed piece of stone, fused glass or whatever bit of delight you
want to use for your piece. With this bezeled setting you can create pendants,
rings, buttons, or pins, depending on the style of bezel you choose to make.
Students should bring a piece to set (cabochon shape, glass stone, fused glass, etc) or any type of precious stone of convex hemispherical or oval form, polished but not cut into facets. Jennifer will also have cabochons available for sale for use with this project.

Instructor Jennifer Wolcott
has been teaching small-scale glass fusing, lampworking, and silversmithing
for over ten years. Prior to that she spent more than twenty years as an
engineer in industry happily figuring out how to make printed circuits better-faster-smaller-tougher-more
and figuring out what went wrong when they failed.
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Learn to make a concrete statue in this 2-day
workshop with award-winning folk artist Wouterina "Riana"
DeRaad. You'll learn techniques in this workshop that are not taught
in any other schools or books! Bring a pair of part-rubber/part-cloth gloves
and a face mask to class. Everything else you'll need is supplied.
During the first day of this workshop, participants will be making a multi-layered
metal armature, which will be cemented in the following day. You will learn
how to cut and shape the metal lathe and when and how to use reinforcements.
There will be a demonstration on the various cementing techniques, discussions
on cement formulas, and what pigments to use for coloring cement.
You can even go one step further and embellish your concrete sculpture with
mosaic tile. Rianna's Mosaic 2-day workshop will take
place in October!
Since 1988 Wouterina has created more than 40 figures that make up a sculpture
garden at her home in Beldenville, WI. Wouterina's award-winning sculpture
gardens have been featured on “Rebecca’s Garden” and “The
Wisconsin Gardener” on Wisconsin Public Television, and in numerous
publications including Midwest Living, Minnesota Monthly, Wisconsin Trails
Magazine, Country Gardens, Minnesota Horticulturist, and the Folk Art Messenger.
A little about Riana: "I like for my statues to provoke imagination,
to look naive and old, as though they have been here for many years. Beauty,
function and longevity are my main objectives. Most statues have a welded
steel frame and two layers of a metal mesh for strength, followed by one
or two layers of concrete. To make the mosaics, pottery shards, glass, pebbles
and various other objects are applied with a tile adhesive. Most pieces
are finished with a grout."
View Riana's online gallery for inspiration and amazement at her website
!
Please also check out the frequently asked questions and answers about Rianna's workshops.
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Make colorful, intriguing pieces
of art by applying hot molten wax and dye in layers on cloth!
Beginners as well as the experienced batiker will find this workshop enjoyable.
The instructor, Deb Johnson, will guide you
through the process using brushes, stamps, stencils and other tools specific
to batik. Participants can expect to have created at least 4 complete pieces
of art cloth by the end of the two day workshop, ready to frame or hang
on a dowel or rod!
Dyes, wax, tools, and fabric will be supplied.
Please bring to class:
1. 3 pieces of cardboard no larger than 16 X 20
2. 2 rolls wax paper
3. Scissors
4. 1 roll paper towel
5. Masking tape
6. 3 inch stack of newspapers – shiny pages removed
7. 1 pair rubber gloves
Deb Johnson maintains an individual studio, and has collaborated on many projects including exhibits, an indigo dyeing business, and has developed workshops loaded with information, inspiration and fun!
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Learn
the basic skills of Mosaic Tiling, materials and patterning in this 2-day
workshop with award-winning folk artist Wouterina "Riana"
DeRaad. You'll learn techniques in this workshop that are not
taught in any other schools or books! Students will learn how to cut and
break glass and ceramic tile, what materials and adhesives to use for
our subzero climate, and different mosaic patterning techniques. There
will be a grouting demonstration, discussions on cement formulas, how
to use pigments and ways to texture a cement surface!
You can mosaic your own mailbox, garden planter, bench, cookie jar.... just about anything that holds still ... with the skills you'll learn in this class.
Materials list: an object to tile, such as a clay pot, vase, cookie jar, birdbath, or your sculpture from the concrete workshop! Please bring some TESSERAE (tile objects such as broken dishes, pebbles, buttons, mirrors, beads, shells, and the like), rubber/cloth gloves, old towels and rags.
A few pointers from Riana:
Since 1988 Wouterina has created more than 40 figures that make up a sculpture garden at her home in Beldenville, WI. Wouterina's award-winning sculpture gardens have been featured on “Rebecca’s Garden” and “The Wisconsin Gardener” on Wisconsin Public Television, and in numerous publications including Midwest Living, Minnesota Monthly, Wisconsin Trails Magazine, Country Gardens, Minnesota Horticulturist, and the Folk Art Messenger.
A little more about Riana: "I like for my statues to provoke imagination, to look naive and old, as though they have been here for many years. Beauty, function and longevity are my main objectives. Most statues have a welded steel frame and two layers of a metal mesh for strength, followed by one or two layers of concrete. To make the mosaics, pottery shards, glass, pebbles and various other objects are applied with a tile adhesive. Most pieces are finished with a grout."
View Riana's online gallery for inspiration and amazement at her website !
Please also check out the frequently asked questions and answers about Rianna's workshops.
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Open
Studio - Life Drawing
“Life Drawing is at once the most frustrating
and satisfying art form that an artist can undertake”
- artist Mike Schad of Zumbro Falls.
The ‘Open Studio-Life Drawing’ sessions are a great opportunity for artists, at any level of expertise, to practice and hone their skills, and expand their ability to "see." Professional and emerging artists, as well as fine art students developing their portfolios, motivate each other with their own abilities, critiques, and encouragement. Each artist works independently in the medium of their choice.
Live models, natural light, welcoming and creative setting.
Prana Flow Yoga is an energetic, creative, full-spectrum vinyasa style of yoga pioneered by world-known yoga teacher Shiva Rea and her Global Collective of Teachers. Students of all levels are empowered to experience prana- the universal source of breath, life energy and conscious intelligence- as the navigating source of yoga practice and vital living. Classes will include aspects of the teachings of Krishnamacharya, Tantra, Ayurveda and Bhakti, in addition to paying attention to what is currently happening on a personal, local and global level, to utilize inner intelligence to find balance between strength and fluidity, skill and intuition, and activation and receptivity.

Instructor Heather Ritenour-Sampson is a certified Prana
Flow yoga teacher. She has studied extensively with her teacher, Shiva Rea,
and has a passion for relating all aspects of life into her yoga practice,
and vice versa. She celebrates the experience of being human as an opportunity
to embrace chaos and peace, humor and devotion, strength and surrender,
simultaneously!
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Join us at Crossings
for a special one-day session of Kundalini yoga!
Opening the Heart Through Movement and Sound
This class will offer techniques to revitalize the body and increase enthusiasm; yoga postures and exercises and mantra for beginners and more advanced students.
We
recommend you to bring a mat and/or pillow to sit on and something to cover
yourself like a small blanket.
Kundalini yoga is a physical and meditative discipline focusing on psycho-spiritual growth, comprising a set of techniques that employ the mind, senses and body to create a communication between mind and body. Relax and stimulate your being with this ancient “mother of yogas,” which includes postures, exercises, breathing techniques, mantras and philosophies of living, perception, service and diet. No belief system is required or excluded. Come with an open mind and loose, comfortable clothes.
The tone is very relaxed and cordial with opportunity
at the end for questions and conversation. Suitable for beginners and intermediate/advanced
students.
Instructor Bhagwant Khalsa studied Kundalini yoga in an
ashram setting from 1970 to 1999 in the Boston and Washington DC areas while
building a thriving landscape gardening practice. He’s studied hands-on
healing in several modalities and done multiple residential workshops in
meditation, movement, group dynamics, and Native American ceremony. His
occasional Minnesota and Wisconsin classes in recent years have brought
requests for him to return.
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![]()
You write.
You edit.
You wonder what others would think.
Find out now!
Open and beneficial to all writers, whether you're just starting or an advanced-level, published author.
We’ve been researching your wishes and redesigning our offerings to better suit your needs and desires. After carefully considering your valuable input we are establishing the following guidelines to our monthly Inkslingers evenings, starting in February, 2012:
1. Annual membership is $96 ($8/session), payable in two installments, with the first meeting of each year in February. Membership allows writers to attend up to 12 Inkslingers nights, held on the second Thursday of each month from 7-9pm. Drop-in attendance will be $12. As always, all writers are welcome to attend or become members!
2. Presenters/discussion: Our second-Thursday-night events will no longer use paid presenters. Instead, each month will feature a topic for discussion prepared by a member. Members may choose any topic and may design an optional writing exercise for the group. Topics and exercises should be made available to Crossings three months in advance. If a member is unable to attend the meeting for which they are scheduled to lead discussion, Crossings staff will facilitate instead.
3. The second hour of Inkslingers evenings will be for sharing of short pieces with the opportunity to talk about the work with fellow members and receive comments, reactions, and critique/suggestions. This time may also be used to ask a writing-related question of members.
4. Crossings will remain responsible for communications and promotion of Inkslingers, using Writers Updates, the Crossings website, brochures and posters to spread the word about topics to be covered, optional writing exercises, etc.
Of course, Crossings will continue to bring you classes by experienced writers and members of the publishing world! As always, we welcome your ideas for people, topics, and types of offerings. Thank you for the support you’ve given our programming for writers!
Writers Conference
II with Author, Pulitzer Prize winner and Loft Literary Center Instructor
Alison McGhee
Saturday, March 3, 1-4pm.
Level: Beginning to Advanced Writers
Enjoy an afternoon designed not only to inspire you as a writer, but to build a program tailored to strengthening the skills you need to reach your goals. Author, Pulitzer Prize winner and Loft Literary Center instructor Alison McGhee will present, “Remembering Why We Write,” focusing on finding and keeping our internal compasses as writers. There will be time for questions after her talk. Writers of all experience levels are encouraged to attend.
Alison
is a #1 New York Times bestselling author. She writes for all ages and in
all forms, from poetry and stories to novels and picture books and essays,
and her books are popular with critics and readers alike. Her novel Shadow
Baby was a Today Show Book Club pick and her picture book Someday was featured
on NPR.
All attendees will receive a directory of those participating in the conference and will have the opportunity to briefly introduce themselves to the group. We’ll break into groups to develop lists of specific classes, events and activities writers want to participate in, and which instructors, writers and industry professionals they want to learn from.
We’ll manage to wedge some fun into the schedule and, after the conclusion, we invite you to stay for a little informal networking with your writing colleagues at the Coffee Mill on Main Street. If you love ‘70s pop rock, stay on for the Saturday night concert, “Rumours & Dreams: The Music of Fleetwood Mac.” A fabulous group of musicians will perform all the greatest hits of this British-American band at the Zumbrota State Theatre next door!
1-1:30 One-minute introductions by each attendee.
1:30-2:15 Alison McGhee
2:15-2:30 Q&A with Alison
2:30-2:45 Sharing Time! Bring a limerick, haiku,
cinquain, open verse etc. – no longer than 5 lines, about your writing
life, a character you’re working on or have created, your next or
current project.
2:45-3:15 Break into three groups: beginner, intermediate, advanced. (You
choose which group you’ll join.) This is your opportunity to guide
Crossings’ writing program to make sure we are tailoring classes and
events to meet your needs! What keeps you from attending; what makes you
want to come?
3:15-3:45 Whole-room feedback about group choices.
3:45-4 Conclusion

Get Lost! A Discovery-Based
Generative Workshop
Saturday, March 24, 10am-1pm.
Cost: $35.
Level: Beginning to Advanced Writers
Stretch your writing muscles! Whether you write poetry, fiction or creative nonfiction, join Jenny Dunning for a generative workshop using a discovery-based creative process.
In Haruki Murakami’s novel Kafka on the Shore, Nataka and Hoshino only find the place they’re looking for when they get lost. This could be a metaphor for the writing process: you have to lose your way to find the deeper subject. In the workshop we’ll use sound, images, and characters to discover the deeper subject you didn’t know you were writing about. You’ll leave the workshop with new work-in-progress, and with new ideas about how to practice the art of writing. The workshop will include generative meditations and exercises, peer review, and consultation with the instructor.

Jenny Dunning’s short stories and essays have appeared in
many literary magazines, including Literary Mama, the North Dakota Quarterly,
the Connecticut Review, and the Beloit Fiction Journal. Her stories have
been finalists for Glimmer Train and Narrative Magazine contests, and “Reva”
received Special Mention in the 2008 Pushcart anthology. She also publishes
articles on teaching creative writing. Jenny teaches creative writing at
St. Olaf College and is working on her first novel. She lives in Northfield
with her husband, border collie, cat, and three chickens.

Poetry is always a shape on the page. Whether it is a rectangular prose box, a series of couplets, or a continuous descent of lines of varying lengths, the effect is that we enter into the poem’s structure in much the same way we enter a room in a house.
We take in the content of the poem (its meaning, its message to us), but we are also affected by the way things are arranged: how they look and sound. One of the pleasures of writing poetry is learning to shape the “room” of the poem in various ways.
This workshop is for writers at all levels of experience who would like the chance to consider the more technical aspects of poetry, who welcome the chance to talk about the intricacies of meter and line, and who would enjoy experimenting with a variety of poetic forms (sonnets, villanelles, sestinas, ghazals—to name a few). Although this workshop will acquaint participants with strategies associated with poetic expression (rhyme, meter, assonance, alliteration, and metaphor, for example), the main purpose of the time will be to draft new poems while working on craft.

Joyce Sutphen teaches literature and creative writing at Gustavus
Adolphus College in St. Peter, Minnesota. Her books include Straight
Out of View (Beacon Press, 1995, republished by Holy Cow! Press in
2001), Coming Back to the Body (Holy Cow! Press, 2000), Naming
the Stars (Holy Cow! Press 2004), and First Words (Red Dragonfly
Press, 2010). In 2005, Red Dragonfly Press published Fourteen Sonnets in
a letterpress edition. She is one of the co-editors of To Sing Along
the Way, an anthology of Minnesota women poets.

The Board. It can be found in TV writers' rooms, movie producers' back offices, veteran writers' studies. It doesn't matter what it looks like--blackboard smeared with chalk, whiteboard splashed with color, cork board with neatly arranged index cards--it's a way to see all the pieces of the puzzle at a glance…a way to see all your scenes and whether or not they work in the best way possible. If you're dissatisfied with the order of your scenes, you simply rearrange the cards. Simple as that.
Cut out unnecessary writing. Display only the "beats" that move the story forward. Note where you have gaping holes. Fix the problems before you start writing, and you'll look forward to your writing days.
We will "break" a story in class, so you can see how it works. Come with a story in mind, or simply come see how it's done. This works for any type of writing--novels, short stories, screenplays, teleplays, plays, memoir, nonfiction.

Instructor Elissa Elliott is the author of
Eve: A Novel. She's won various grants and awards, including the Loft Literary
Center Mentor series and a MN State Arts Board grant. She's a contributing
writer to Books & Culture and lives in MN with her husband and daughter.
Elissa Elliott

Dennis Hensley tells his writing students, “Keep in mind that what you write only has about ten seconds to win or lose a reader. If your [story beginning] is something fascinating that intrigues the reader, he or she will stay with you. If your opening is unimaginative, slow, or routine, your reader will desert you—and fast!” (How to Write What You Love and Make a Living at It). I'll second that and say that many editors won't read past one page if the story doesn't interest them. This doesn't give you much time.
Using your own story ideas and great examples from books and movies, we'll come up with several hard-and-fast rules of wowing your reader. After incorporating what you've learned in this class, you'll be amazed at how your story jumps off the page.

Instructor Elissa Elliott is the author of
Eve: A Novel. She's won various grants and awards, including the Loft Literary
Center Mentor series and a MN State Arts Board grant. She's a contributing
writer to Books & Culture and lives in MN with her husband and daughter.
Elissa Elliott
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Songwriting
Workshops
please
scroll down - class descriptions appear chronologically
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Musical
Instruction:
please
scroll down - class descriptions appear chronologically
$16 per half-hour private weekly lesson, paid monthly. Requires two-month commitment, and 30 days' notice before cancellation. Please read Crossings' music instruction FAQ's
One-on-one instruction, acoustic or electric guitar, plus bass and mandolin! Beginners on up: all ages!

Jim Kaske has been teaching at Crossings since 2004. He has a great love for music of all kinds, and enjoys teaching students ages 5 to 94! Jim is used to teaching a wide range of styles, from rock to classical. Jim is constantly learning new music, styles and techniques so he is able to meet the interests of his students. For each student that Jim teaches, a customized lesson is created for each lesson to meet that student’s individual needs and wants. Every student’s learning style and music preferences are taken into consideration to foster an environment of fun and learning with one on one attention.
Jim has
been playing guitar since the age of 15 and has no plan on stopping as there
is so much music to learn! Jim has a Masters Certificate in Music Theory,
Harmony, and Ear Training from Berklee College of Music, along with a degree
from Winona State University in Business Administration.
From
former student Wanda:
Jim
is a very good teacher. He is not only skilled but also a wealth of knowledge
about guitar playing, its history and styles and artists. Zumbrota is very
lucky to have him teaching here.
He is so patient with old, arthritic people like me with 10 thumbs.
Crossings' music instruction FAQ's
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Cancellation and Refund Policy
We understand entirely that life brings many surprises to us all, and sometimes people must cancel their class reservation.
We sincerely do our level best to accommodate each individual’s request when emergencies arise.
However, if cancellations occur within a week of the class start date, granting a refund frequently means we operate at a loss. Materials have already been purchased, and instructors have agreed to a set minimum compensation.
Please help us continue to offer these wonderful classes, at the most affordable costs possible, by reading and adhering to our cancellation and refund policy:
Class participants who cancel 21 or more days prior to the class start date will receive a 100% refund, and will be charged a $15 cancellation fee.
Class participants who cancel 8-20 days prior to the class start date will receive a 50% refund.
No refunds will be issued 0-7 days prior to the class start date.
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